Vanity of Life

 

Gallery BOM

Nov 1- Dec15

Memento No.1

Vanity of Life: In this exhibition, Soojin Kim introduce an interesting perspective on American confectionery and consumerism. She borrowed subject and format from a Dutch still life tradition like Trompe l'Oeil in these works. The paintings depict a cupboard containing a human skull, paper with text, natural sundries, and iconic American sweet, Oreos. Vanitas is the epitome of European still-life in the 16th and 17th centuries, creating symbolic monuments of flowers, exotic fruits, raw meat, skeletons, feathers, shells, insects and other human achievements to remind human mortality.

 

The confectionery manufacturing industry is an important part of the modern performance. During and after World War II, American sweets were delivered to many foreign children by the hands of G.Is and missionaries. Her father experienced childhood Korean War [1950-1953] and postwar famine. He followed up with the US soldiers who handed him the "world's best cookies." To him, American sweets meant a great relief from famine and perhaps a utopian dream on America. For her, it was not only the Memento Mori on the death of my father but also the signal of change in the culture and the times Korea faced after the Korean War.

Selected Works

Exhibition Flyers, Reviews, and Related Documents

Installation Images

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